Illusionist
Distorting reality
Art of
Observations on Covert Influence & Concealed Agendas
Some people don’t just live in the world. They shape it, bend it, and arrange it to suit themselves, usually without you ever noticing.
What hides in plain sight, once you know how to look.
The Premise
This is one person’s record of a quiet kind of influence. After years of watching people up close, in classrooms and workplaces, in families and in rooms full of strangers, the same figures kept turning up. The ones who manage how things look. The ones who make you depend on them. The ones who hand you guilt, or slowly talk you out of trusting your own mind.
It offers no diagnosis and claims no authority. It is a patient, clear‑eyed look at what those hidden intentions become once you finally see them, mapped one figure at a time.
Clarity, not cynicism, is what keeps a person free.
You feel it before you see it. A room arranged, a mood set, a choice that was never yours.From the book
The Sixteen Figures
You have met most of them already. Once each pattern has a name, it is hard to un‑see. Here is the full set, one figure at a time, each with its own mark.
Distorting reality
Adapting to every situation
Pulling the strings behind the scenes
The ego that consumes
Power through powerlessness
Weaver of convenience and gain
The sweet talker who hides their hand
The shadow of authority
Experts of doubt and erosion
Guardians of moral certainty
Working through empathy and vulnerability
Aces of high‑stakes persuasion
Shaping crowds and consensus
Builders of long‑term devotion
Mapping the way you think
Wielders of soul‑eroding influence
Sixteen figures. One book.
See the bookThe mask is not always a lie. Sometimes it is simply the part they let you read.From the book
The Plates
Figures and details painted in the same hand as the cover. Tap any plate to see it whole.
The Book
Observations on Covert Influence & Concealed Agendas
A field guide to the quiet operators. Each chapter takes one figure, shows how the pattern tends to work, and offers the clear‑eyed response. No hype. No diagnosis. Just a careful way of seeing.
It is for anyone who has left a conversation feeling turned around, and only understood why much later. For people who would rather read the room than be read by it.
Field Notes
Short, specific observations of influence in the wild, plus longer pieces that expand a single figure. The writing begins shortly.
Field Note
Clarity is a skill. Suspicion is a mood. The two are not the same.
In preparation
Field Note
Most steering is small. The signal is usually in what gets repeated.
In preparation
Field Note
Who sets the frame, who reflects it back, and who never seems to be in the room.
In preparation
About
Jasen Y. Tham is an observer by habit. He has spent years quietly watching how people move around one another, noting the patterns that kept returning. Art of Faux‑Semblant is his account of what he saw, set down one figure at a time, and his first book.
These pages make no claim to authority. They are field notes, offered in the spirit of here is what I have noticed, and I could be wrong. If they help you stay clear‑eyed and free, they have done their work.
The Field Guide
A short field guide to all sixteen figures, sent to your inbox. One quiet email at a time, with new field notes as they are written.
No noise. Leave whenever you like.